► This track reimagines the mechanical movement of an elevator as a vehicle for sonic exploration. Creaks, hums, chimes and shifting cables create a hypnotic rhythm, evoking a strangely meditative ascent through industrial space. The piece resists any musical notation, instead inviting to find music – whatever it may be – in the most hidden places.
■ The A. O.: Can you tell us how “Becquerel”cameto light?
► Fletina:I was reading about the French physicist Alexandre-Edmond Becquerel and his discovery of ‘The Photovoltaic Effect’ while I was experimenting with some recent field recordings of mine, and without me being particularly conscious of it – I was soundtracking the story of Becquerel’s early struggles and his eventual scientific breakthrough in my own head, and trying to sculpt sounds to match my vision, so the whole thing happened in a symbiotic kind of way. I wanted to make it a longform album-length piece to reflect the time and patience it must have took for Becquerel to make his discovery, while also keeping everything pretty vague and open to interpretation… Through abstract sonic experimentation with room tones and various field recordings I found that I had created a vaguely dark and confined atmosphere that suited the theme of the release. The sound artist Anne-F Jacques described it as ”simultaneously full of sound but with a kind of hollow open space in the middle”. Given how abstract and ambiguous the piece (and my work in general) is – it’s pretty difficult to talk about, but the whole thing makes sense in my own head…
This is not music: it’s a mirror. You try to look for something and you get nothing but yourself. So, since we do not know you listener, here is our review: _____________________________